Alia Bhatt: ‘Alia gave me her home’: ‘Dhurandhar’ designer Rupin Suchak reveals how Alia Bhatt changed her interior design career after discovering her design skills at R Balki’s office | Hindi Movie News

Designer Rupin Suchak, known for films like “Go Goa Gone” and “Dhurandhar,” reveals how designing Alia Bhatt’s home changed his career, opening doors to interior design. He focuses on the differences between cinema and architecture, and emphasizes that his main goal – to create an unforgettable place in the mind – has not changed in different ways.

Rupin Suchak is a successful producer known for his works in films like ‘Go Goa Gone’ (2013), ‘Happy Ending’ (2014), ‘Dear Zindagi’ (2016), ‘Pad Man’ (2018), and ‘Khel Khel Mein’ (2024). He also lent his expertise as an extras producer to the hit series ‘Dhurandhar’ (2025) and ‘Dhurandhar The Revenge’ (2025). Along with his film work, Rupin has also established himself as a talented interior designer.

Rupin Suchak on Alia Bhatthis role in his work

In an interview with Mumbai Mirror, he explained how Alia Bhatt was instrumental in guiding him towards interior design, which eventually became a major part of his career. Rupin Suchak shared, “After five years of designing, a change came unexpectedly when I was assigned to design the office of filmmakers (R) Balki and Gauri Shinde. What started as a single project changed the course of my career. For the project, Alia Bhatt visited the office and gave a strong response to the design. Soon after, he gave me a job to fix his house. This work opened a new chapter. One job led to another and soon interior design became a major part of my career. “

Rupin Suchak on the difference between films and houses

In the same interview, Rupin admitted that designing a movie theater is a very different challenge than designing a real person’s home. He said: “I often joke that I’ve spent a lot of time building worlds that people live in for years or experience for two seconds on a computer.” Surprisingly, the biggest challenge in moving from the film set to the home wasn’t creativity but patience. Interiors require long-term discussion, planning, cooperation and interest in the way people live. “He concluded by saying, “Whether I’m working on film, commercial or architecture, the goal remains very much the same. I want people to feel something. The medium changes. The story changes.”